You can use the Publish tab to upload files to different social media platforms. You can choose from the list of system presets available on Adobe Media Encoder. For more information, see Publish settings in Adobe Media Encoder. This option helps preserve details and avoid aliasing when scaling to a frame size different from your source media. Enabling this option can improve quality but keep the following in mind:. When this option is enabled, Adobe Media Encoder exports using the preview files already generated for your Premiere sequence instead of rendering new media.
For more information, see this Premiere Pro help article: Work with preview files. When this option is enabled, Adobe Media Encoder exports using the proxy files already generated for your sequence instead of rendering new media.
This option can improve export performance. The checkbox will default to unchecked. This option can be used for sources that contain an alpha channel. When enabled, only the alpha channel gets rendered in the output video and a grayscale preview of the alpha channel is shown in the Output tab.
This setting is useful when exporting to formats like MXF that don't support transparency info. You can use the alpha channel-only output to define transparent areas of your video in third-party applications. Time Interpolation comes into play when the frame rate of your exported media is different from your source media.
For example, if your source sequence is at 30 fps but you want to export it at 60 fps. Time Interpolation generates or removes frames by the following methods:.
Metadata is a set of descriptive information about a media file. Metadata can include information like creation date, file format, and timeline markers. To open the Metadata Export dialog, click the Metadata button in the lower-right corner of the Export Settings dialog. You can perform many of the same actions in the Metadata category in the Preferences dialog box.
See Preferences. For more information about working with metadata in Premiere, see Managing Metadata. An export template specifies what XMP metadata get written to the output file. For example, you can create an export template that includes various XMP metadata from the source files and adding your contact information and rights-management information to each output file.
The export template filters out any fields that are not explicitly enabled by the current template. The only exceptions are internal properties that are automatically populated with data by the creator application, which are always included and are not editable. To create your own export template, click New next to the Export Template menu. You can enable individual fields or categories by selecting them in the Export Template Editor dialog box.
To find specific fields, use the search field near the top of the Export Template Editor dialog box. Be sure to give your export template a descriptive name. You can edit an existing custom export template by choosing it from the Export Template menu and clicking Edit. After you have applied an export template, you can also manually enter values to add specific XMP metadata to the current encoding queue items. For example, the Format field in the Dublin Core schema and the Video Frame Rate field in the Dynamic Media schema are set by Adobe Media Encoder to accurately describe the output file, and these fields are not user-editable.
Also, values that are specified by the current export template appear as not editable; to change these values, change the template or apply a different template. Empty fields are not written to the output file.
Legal Notices Online Privacy Policy. Export settings reference for Media Encoder Search. To open the Export Settings dialog in Adobe Media Encoder, select the output of a source video in the Queue panel and do one of the following: Select Export Settings from the context menu of the output. Click the format or preset name of the output. Export Settings dialog. Source view.
Crop settings. To crop a video, do the following:. Do one of the following: Drag the sides or corner handles of the crop box. Enter values for Left, Top, Right, Bottom, in pixels. To revert to an uncropped image, click the Crop button again to disable it.
Output view. The Output tab shows a preview of current export settings applied to your source video. Timeline and time display. You can set In and Out points in the following ways: Move the playhead to a frame on the timeline and click the Set In Point or Set Out Point buttons above the timeline.
Drag the In point or Out point icons from the sides of the timeline to a frame on the timeline. Move the playhead to a frame on the timeline and use the I key to set an In point and the O key to set an Out point.
The Source Range menu lets you quickly set the duration of your exported video with the following options: Entire Sequence — Uses the entire duration of the source clip or sequence.
Export Settings. Effects settings. Switch to the Output tab to see a preview of these effects applied on the project. To apply a Lumetri preset, do one of the following: Choose a Lumetri preset from the Applied pop-up menu. Choose Select The following options are available:. Brightness — Controls the overall brightness of SDR conformed media.
Contrast —Controls the overall contrast of SDR conformed media. Applied - Browse and choose the image to overlay. Absolute Sizing — Enable this option to link the image overlay's size to the native size of the source image. When enabled, the image overlay appears smaller at higher output resolutions and larger at lower output resolutions.
Opacity - Specifies the opacity of the overlay image. Use Name Overlay to add text to your exported video. Suffix - Text added to the end of the name overlay. Size - Adjusts the size of the text. Use Timecode Overlay to add a timecode counter to your exported video. Size - Adjusts the size of the timecode display. Time Source - Specifies how timecode is generated.
When there is less motion in the scene, VBR will discard more data because it can do so without any image quality problems. When more motion takes place, it will raise the bitrate automatically. You can perform an even more precise encode by using VBR 2 Pass. The first pass looks at the video to determine the best bitrate to use based on motion, color, etc. During a 1-pass VBR, Premiere is making the bitrate decisions on the fly.
VBR 2 Pass will give you a more precise compression, but it will take longer. This bitrate setting is best used when there is a lot of movement in your clip. CBR uses the same bitrate throughout the export, regardless of what is happening in the frame.
Again, a high CBR will preserve data, a lower rate will remove data. Constant bitrate is best suited for video with little motion, like interviews. For a detailed walkthrough of each of the compression options, check out this video:. The Publish tab of the Export Settings dialog box has a number of interesting features.
In this section, Premiere allows you to automate an upload to popular video sharing websites, including Youtube and Vimeo. Once set up, your video will automatically upload during the export process. To prepare an automated upload to Youtube, I first need to check the Youtube box under the Publish tab.
Since I have multiple Youtube channels, Premiere gives me the option to specify which one I want to upload to. Now all I need to do is add a title, description, tags, and adjust the privacy settings, and then my video will be prepared for upload. As long as I keep the Youtube box checked, the video will automatically upload to my channel during the export process. Finally, you can even have Premiere delete your file off of your local drive after the upload is complete.
The Frame. In addition to automating an upload directly to Youtube and Vimeo, you can also share your content directly to other social media sites. In particular, Premiere Pro has upload settings for Facebook and Twitter.
To automate an upload directly to Facebook, select the Facebook checkbox under the Publish tab. You can have your video uploaded directly to your main Facebook page, or to a page you manage. Give your video a title, write a post, and select your privacy settings. These settings include private, public, all friends, and friends of friends. As in the case with the YouTube upload, you can select whether or not to have Premiere delete the local file. Now your video will automatically upload as part of the export process.
Render at Maximum Depth It can reduce or eliminate artifacts and banding in your video but that benefit comes at the cost of an increase in processing time, so only use it when completely necessary. Oct 6, Motion interpolation or motion-compensated frame interpolation MCFI is a form of video processing in which intermediate animation frames are generated between existing ones by means of interpolation, in an attempt to make animation more fluid, to compensate for display motion blur, and for fake slow motion effects.
That may give you a speed boost, but you will be re-compressing an already compressed file, which is not ideal for quality. Optical flow essentially takes two adjacent frames, figures out the sort of edges, and morphs between them, yielding possibly, possibly a gorgeous looking slowdown. Optical Flow is a great tool that Adobe has implemented into their software.
It allows you to take footage shot at a low frame-rate, and slow it down like it was shot at a high frame-rate. This feature has been in Premiere Pro for sometime now, but has only recently started to work really well. Add a comment. Active Oldest Votes. Sign up or log in Sign up using Google. Sign up using Facebook. Sign up using Email and Password. Post as a guest Name. Email Required, but never shown. Featured on Meta. New post summary designs on greatest hits now, everywhere else eventually.
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